一、孔乙己（鲁迅《狂人日记》）

外貌特征：站着喝酒却穿长衫，身材高大但衣衫褴褛，青白脸色夹杂伤痕，乱蓬蓬花白胡子。

性格特点：满口之乎者也，行为古怪，因姓氏被取笑为“孔乙己”，体现其迂腐与孤独。

象征意义：长衫象征其身份矛盾，乱蓬蓬的外表隐喻其精神世界的崩塌。

二、葛朗台（巴尔扎克《欧也妮·葛朗台》）

体格特征：身材臃肿，膝盖骨多节，脸如牛背，蛇眼，脑门布满皱褶。

性格特点：极度吝啬，情感仅聚焦于独养女儿欧也妮，表面和善实则冷酷。

社会批判：通过形象展现19世纪法国社会的拜金主义。

三、加西莫多（雨果《巴黎圣母院》）

外貌特征：巨人般的头颅，红色头发，驼背，膝盖异形，皮肤粗糙。

性格特点：虽外貌丑陋却内心善良，对欧也妮的关爱超越自身缺陷。

象征意义：其畸形形象反衬社会对弱者的偏见。

四、罗曼·罗兰《贝多芬传》中的贝多芬

体格特征：身材高大，面容憔悴，脑门皱纹深刻，眼神犀利如“蛇眼”。

性格特点：音乐家气质与吝啬性格形成鲜明对比，内心充满矛盾。

艺术成就：通过外貌描写展现其音乐创作中的激情与挣扎。

五、其他经典片段

肖像描写：如《红楼梦》中王熙凤的“一双丹凤三角眼，两弯柳叶吊梢眉”，通过五官组合刻画精妙。

动作描写：如《骆驼祥子》中祥子的“拉晚儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿儿